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Spotlight: Janet Chen

In 2019, Janet Chen was named the first ever Chief Executive Officer of ProMusica, a chamber orchestra in Columbus, Ohio and a League member. We asked her a few questions about her career, which has seen her as a performing musician, arts administrator, and music educator.

FY21 NEA Grants to Orchestras

May 18, 2021, Washington, D.C. The National Endowment for the Arts (NEA) awarded 103 grants to orchestras through the Grants for Arts Projects categories in FY2021, totaling $2,276,500. In FY21 orchestras directly received NEA grant support through Grants for Arts Projects primarily in the discipline categories of music and arts education. Awards to all arts …

Shuttered Venue Operators Grants Updates

The SBA is advising stakeholders that further information about next steps in Shuttered Venue Operators Grants program will continue to be released this week and next. The League participated in a call this afternoon with SVOG administrators.

Coda: Vital Signs

Many doctors and healthcare workers perform with vocational orchestras, but during the pandemic these caregivers found themselves at the center of a global health crisis— without a musical outlet to forge connections and relieve grief. Here, John Masko, co-founder and music director of the National Virtual Medical Orchestra, explains how an ensemble of healthcare professionals from around the country rehearses and performs together—at a distance.

Annual Fund: Spring 2021

With the support of our valued donors, the League continues to have a positive impact on the future of orchestras in America by helping to develop the next generation of leaders, generating and disseminating critical knowledge and information, and advocating for the unique role of the orchestral experience in American life before an ever-widening group of stakeholders.

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Digital technology has come to pervade all walks of life, from academia to banking, and COVID-19 has only stepped up the pace. But sheet music—the familiar paper score—has remained virtually unchanged for centuries. Are orchestras ready to make the jump to e-scores?