In this 2022 National Conference session, the Institute for Composer Diversity presents their Orchestra Repertoire Report 2022, produced in partnership with the League.
Facing up to racism and committing to change is as important to the corporate sector as it is for non-profits. What lessons can we learn from large companies and the way they have approached this work? In this 2022 National Conference session, League board member and ACSO past president Alan Mason leads a conversation from his vantage point as a senior executive at BlackRock. He is joined by Jonathan McBride, a partner at the pioneering executive search and HR consulting firm Heidrick & Struggles, who is helping spearhead the firm’s work in diversity, equity, and inclusion.
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Learn how to work better, work smarter, and prevent overload. In this 60-minute webinar, we explore some of the most prominent pandemic-related mental health issues, including burnout, imposter syndrome, PTSD, social anxiety, and productivity challenges.
An endangered tree casts a shadow over bow makers and musicians worldwide.
A select cohort of 35 orchestra and arts professionals have been chosen from the United States and Canada to participate in Essentials of Orchestra Management, the League of American Orchestras’ premier leadership development program. The ten-day seminar, running from July 24-August 2, 2022, is presented in collaboration with Juilliard Extension and will take place in New York at Juilliard’s Lincoln Center Campus.
American conductor Hobart Earle, music director of the Odessa Philharmonic for two decades, offers an insider’s perspective on musical life in Ukraine—before and during the Russian invasion.
League Annual Fund: Summer 2022
Digital efforts are part of the “new normal” for orchestras. But what is the right balance between virtual and in-person music-making? And how does an orchestra turn a concert stream into an income stream?
Conductors of Western classical orchestras have almost all been White men. Few American orchestras put a Black music director on the podium, and many Black musical artists had to head to Europe to build careers. That’s changing—but are things moving far enough, fast enough?