Member Spotlight: Ignacio Barrón Viela
Ignacio Barrón Viela, a 2018 participant, described Essentials as an opportunity to reflect on the impact of music beyond the concert hall.
Ignacio Barrón Viela, a 2018 participant, described Essentials as an opportunity to reflect on the impact of music beyond the concert hall.
A broad historical look at American orchestras puts into context the field’s persistent lack of ethnic and racial diversity and examines the underlying culture of privilege, exclusion, and unacknowledged bias that contributes to it.
Even as COVID-19 continues to present unprecedented challenges to orchestras, this is also a critical time to think deeply about the future of classical music. Conductor Tania Miller offers her perspective from the podium.
With the support of our valued donors, the League continues to have a positive impact on the future of orchestras in America by helping to develop the next generation of leaders, generating and disseminating critical knowledge and information, and advocating for the unique role of the orchestral experience in American life before an ever-widening group of stakeholders.
Just over a century ago, the global pandemic caused by what was called the Spanish influenza had drastic impacts on America’s orchestras. How did orchestras back then cope? Is the past prologue?
How do you plan an orchestra season during a global pandemic, when planning is impossible? By having more than one script. As government agencies revise pandemic projections and health authorities issue new safety guidance, fixed plans are out, and flexible plans that outline multiple scenarios offering ways to move forward are in.
In just two years, the National Alliance for Audition Support, which aims to increase the numbers of Black and Latinx musicians at orchestras, is making an impact.
The good news: more women are getting high-profile jobs conducting orchestras. The bad news: it’s not yet time to retire the phrase “glass ceiling” for once and for all. Will we get there, and if so, when?
With the arrival of the pandemic, the world changed dramatically for orchestras. Theaters and concert halls were closed, concerts and events were cancelled, and orchestras were forced to cut short their seasons.
Jesse Rosen steps down as the League’s president and CEO this September after a distinguished twelve-year tenure. But his links to the League—and to the orchestra field—go back much further.