American conductor Hobart Earle, music director of the Odessa Philharmonic for two decades, offers an insider’s perspective on musical life in Ukraine—before and during the Russian invasion.
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Conductors of Western classical orchestras have almost all been White men. Few American orchestras put a Black music director on the podium, and many Black musical artists had to head to Europe to build careers. That’s changing—but are things moving far enough, fast enough?