Updated May 22, 2024 Efforts to increase restrictions on travel and trade in African Elephant ivory and other endangered animal and plant species has placed a new focus on long-existing permitting rules for international travel with instruments that contain endangered species material. Those rules are contained in the Convention on International Trade in Endangered Species, otherwise …
Following three years of consensus-building among music stakeholders, governmental authorities, and conservation experts, policy requests put forward by the League of American Orchestras (the League) and partners in the international music community gained approval today at the gathering of 183 parties to the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), where musical instruments in use by musicians across the globe were on the agenda August 17 through 29, alongside urgent new policies shaped to address threats to plant and animal species worldwide.
In late July, the National Assessment Governing Board (NAGB) announced its intention to narrow the breadth of subjects assessed by the National Assessment of Educational Progress (NAEP), eliminating the next Nation’s Arts Report Card, the only nationally-reported measurement of what students know and are able to do in the arts.
Now in its fourth year, the League’s Ford Musician Awards program, made possible by the generous support of Ford Motor Company Fund, honors and celebrates professional orchestra musicians who provide exemplary and meaningful service in their communities and make a significant impact through education and community engagement.
Now in its fourth year, the League’s Ford Musician Awards program, made possible by the generous support of Ford Motor Company Fund, honors and celebrates professional orchestra musicians who provide exemplary and meaningful service in their communities and make a significant impact through education and community engagement.
Chris Thile plays everything from Bach to bluegrass, has been touring since he was a pre-teen, and in 2012 won a MacArthur “genius” grant—all for playing the mandolin. Thile is Carnegie Hall’s 2018–19 Richard and Barbara Debs Composer’s Chair, and this March Carnegie Hall hosted an episode of his National Public Radio Live from Here show featuring American folk music and music from the British Isles, as part of Carnegie’s “Migrations: The Making of America” festival. He’s a musical omnivore with a deep love of classical music who has hosted chamber ensembles like The Knights and yMusic on the radio show, and has toured and recorded Bach with cellist Yo-Yo Ma and bassist Edgar Meyer. He brought the mandolin to the orchestra world with a 2009 concerto he wrote and performed with eight U.S. orchestras.
With the support of our valued donors, the League continues to have a positive impact on the future of orchestras in America by helping to develop the next generation of leaders, generating and disseminating critical knowledge and information, and advocating for the unique role of the orchestral experience in American life before an ever-widening group of stakeholders.
With orchestras and audiences increasingly open to exploring new combinations of sounds, solo virtuosos are bringing a diverse sonic palette to orchestral stages on instruments ranging from mandolin and harpsichord to accordion, ondes Martenot, and Theremin.
Representation and inclusion of LGBTQ+ composers, musicians, and audiences is on and the rise at U.S. orchestras.
How is the classical music field doing when it comes to women composers? To be sure, there is reason for optimism in the past few years, but what do the composers themselves think? We decided to go straight to the source by asking a small sampling of the many composers active in the field to share their personal perspectives and experiences.