Dear Colleague, As you are no doubt aware, Congress is in final negotiations today on the terms of a third COVID-19 relief package. The League of American Orchestras has been a leading partner across the arts and nonprofit sectors in Washington, D.C. and nationwide to ensure federal relief is available to the arts and culture sector and its workforce.
New information is available from the federal agencies responsible for administering the paid leave provisions of the Families First Coronavirus Response Act, signed into law on March 18.
Originally presented on 3/14/20 to the League’s PR Constituency, this one-hour video session delves into the Seattle Symphony’s strategies for developing COVID-19 messaging for all of its constituencies, and includes a look at how communications and marketing worked together to roll out the messaging internally and externally.
Orchestras have joined the broader arts and nonprofit sectors in speaking up out of concern for their workforce in the wake of COVID-19 closures and concert cancellations.
Dear Colleague, Like all of you, the League of American Orchestras is wrestling with tough decisions as the COVID-19 pandemic continues to unfold. While there are no easy answers, there are lots of opportunities for sound judgment rooted in shared values and strong cultures.We are hearing a common thread from orchestras in communities of all …
Dear Colleague, Like all of you, the League of American Orchestras is wrestling with tough decisions as the COVID-19 pandemic continues to unfold. While there are no easy answers, there are lots of opportunities for sound judgment rooted in shared values and strong cultures.We are hearing a common thread from orchestras in communities of all …
Community by community, the impact of COVID-19 is variable and rapidly changing. As Congress and the Administration consider new forms of federal economic assistance that may be targeted or widespread, orchestras can join others in the arts and nonprofit sectors that are speaking up to ensure that relief will meet all community needs.
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The Wallace Foundation has published numerous articles and case studies on audience development through their Building Audiences for the Arts initiative, with more to come. This research embraces multiple performing arts genres, including orchestras, chamber music, dance, and more. Now that there is a wealth of audience development information available, what can orchestras learn from these case studies?