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Conference 2022: Creating a More Equitable Future: Lessons from the Corporate Sector

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Facing up to racism and committing to change is as important to the corporate sector as it is for non-profits. What lessons can we learn from large companies and the way they have approached this work? In this 2022 National Conference session, League board member and ACSO past president Alan Mason leads a conversation from his vantage point as a senior executive at BlackRock. He is joined by Jonathan McBride, a partner at the pioneering executive search and HR consulting firm Heidrick & Struggles, who is helping spearhead the firm’s work in diversity, equity, and inclusion.

35 Orchestra and Arts Professionals Selected to Attend League of American Orchestras’ Flagship Essentials of Orchestra Management Program in New York City

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A select cohort of 35 orchestra and arts professionals have been chosen from the United States and Canada to participate in Essentials of Orchestra Management, the League of American Orchestras’ premier leadership development program. The ten-day seminar, running from July 24-August 2, 2022, is presented in collaboration with Juilliard Extension and will take place in New York at Juilliard’s Lincoln Center Campus.

Coda: An American in Odessa

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American conductor Hobart Earle, music director of the Odessa Philharmonic for two decades, offers an insider’s perspective on musical life in Ukraine—before and during the Russian invasion.

In the Main Stream

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Digital efforts are part of the “new normal” for orchestras. But what is the right balance between virtual and in-person music-making? And how does an orchestra turn a concert stream into an income stream?

Where Do We Stand?

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Conductors of Western classical orchestras have almost all been White men. Few American orchestras put a Black music director on the podium, and many Black musical artists had to head to Europe to build careers. That’s changing—but are things moving far enough, fast enough?

Community, Climate, Composition, Collaboration

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The Adelaide Symphony Orchestra’s Floods of Fire, a response to Australia’s environmental crisis, is the product of a large-scale collaboration. People from multiple backgrounds and groups came together to create the work—and the process may be more important than the result.