League and 5 PA Orchestras Sign Letter in Support of Charitable Giving Incentives (PDF) – July 16, 2012 League Joins Letter to White House on Buffett Rule (PDF) – March 12, 2012 League Joins Nonprofit Letter to Congress on Buffett Rule (PDF) – March 12, 2012 League Submits Statement to Senate Finance Committee (PDF) – October 18, 2011 Letter …
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An important provision that eases air travel for musicians was approved by Congress on February 6, 2012 as part of a broader package of federal aviation programs. The FAA has been operating on a series of short-term extensions since the 2007, and reauthorization has been a lengthy and hotly debated process.
“Learn how the San Francisco Girls Chorus broke down stereotypes of girls’ choirs to generate interest from classical music patrons.” – Author(s): Bob Harlow, Thomas Alfieri, Aaron Dalton and Anne Field
“To address the problem of falling subscription rates, the Steppenwolf Theatre Company took steps to turn single-ticket buyers into repeat visitors.” – Author(s): Bob Harlow, Thomas Alfieri, Aaron Dalton and Anne Field
“Learn about the Boston Lyric Opera’s efforts to increase opportunities for families to attend opera performances with the goal of engaging future audiences.” – Author(s): Bob Harlow, Thomas Alfieri, Aaron Dalton and Anne Field
“Learn how the Isabella Stewart Gardner Museum boosted participation among young people through innovation and a commitment to its longstanding values.” – Author(s): Bob Harlow, Thomas Alfieri, Aaron Dalton and Anne Field
In 2009, the Columbus Symphony Orchestra faced a $1.5 million deficit with no operating reserves, no line of credit, and a negative cash flow and balance sheet. Through a partnership with the Columbus Association for the Performing Arts (CAPA) forged in 2010, the CSO has built a $1 million balance sheet and has finished in the black each year since 2010.
It’s oh-so-easy to allow financial constraints to drive institutional decision-making. This session will focus on creating alignment between the orchestra’s mission and the financial realities within which it functions.
Performing arts organizations have known that long-term audience members are incredibly loyal and generous and have mainly assumed that the challenge was in attracting newcomers to the experience. It turns out that orchestras are attracting large numbers of newcomers, but are not effectively converting them to long-term customers and supporters.