Hmm, somthing is out of tune...

The NSO plans a new record label; Classical streaming service IDAGIO launches free tier; Is classical music ahead of the streaming curve?; DSO reveals state-of-the-art tech and camera upgrades for “Live from Orchestra Hall” webcast series; Residuals can make up 75% of a musician’s movie score paycheque—but not on streaming; YouTube says it can delete your account if you’re not ‘commercially viable’; YouTube update makes it easier to deal with copyright claims; Facebook is actively licensing music videos for its YouTube rival, report claims; Billboard changes its mind: YouTube will now factor into the Billboard 200; Spotify’s ‘pay-for-play’ advertising program has a price tag: $0.55 per click; The end of owning music: how CDs and downloads died; Mechanical Licensing Collective hands a juicy contract to HFA—critics call the deal crooked; Congress introduces the ‘AM-FM Act’ to overhaul terrestrial copyright laws

Amazon bets users will pay up for high-definition music streaming; Podcast sponsorship revenue continues to fuel NPR’s financial growth; One-third of all young people use stream ripping to steal music; Articles about audience smartphone use during performances; Articles about Spotify; Vinyl is poised to outsell CDs for the first time since 1986; Gen Xers, millennials, and even some Gen Zs choose vinyl and drive record sales up; Apple Is officially shutting down iTunes — but song downloads aren’t completely dead; Musicians fear for livelihood without streaming residuals; YouTube Music says it pays the same royalty rate as Spotify — at least on its subscription streams; Metallica makes box office history with ‘S&M²’; Jim James and the Louisville Orchestra appear on “The Tonight Show”; Appeals court says the Trump administration can’t force states to repeal net neutrality; Musicians, tired of paltry streaming payments, protest the HBO Max Launch at Warner Bros. Studios

$150k to the SPCO; Turns out online opera is a good idea; Knight Foundation launches $750,000 initiative for immersive technology for the arts; Bernstein’s ‘Mass’ gets brilliant encore, bound for TV; What is Spotify thinking with its ‘Dance Like Nobody’s Paying’ ad campaign?; Spotify tops 108 million paying subscribers; Spotify abruptly shuts down its direct upload & distribution plans; For new video game music, Salt Lake City is becoming a hotspot; Digital tools and community first — A bright future for the TSO; Taylor Swift says she will rerecord her old music. Here’s how; U.S. copyright office awards mechanical licensing collective contract to NMPA bid; Amazon music has 32 million subscribers — and a 70% yearly growth rate; Is traditional radio about to crash?; Apple decides to invest in original podcasts — Putting a buzzkill on Spotify’s expansion; Exploring an immersive future in classical music; Imagine being immersed in the OSM — without the orchestra present; Stanford researchesrs point to dramatic improvements in virtual reality sound; Apple music’s analytics dashboard for artists is offically out of beta; Spotify, Apple, Pandora, Amazon, Google, warns against ditching PRO consent decrees; Spotify, Amazon, Pandora, Google/Alphabet protest streaming royalty rate increases; Commentary: Classical streaming has arrived. How do the new services stack up?;