Sixty orchestras will present live music, instrumental music instruction for young students, commissions, festivals, and engagement programs to their communities with support from the National Endowment for the Arts (NEA) in its first round of major grant funding in the 2020 fiscal year.
Amazon bets users will pay up for high-definition music streaming; Podcast sponsorship revenue continues to fuel NPR’s financial growth; One-third of all young people use stream ripping to steal music; Articles about audience smartphone use during performances; Articles about Spotify; Vinyl is poised to outsell CDs for the first time since 1986; Gen Xers, millennials, and even some Gen Zs choose vinyl and drive record sales up; Apple Is officially shutting down iTunes — but song downloads aren’t completely dead; Musicians fear for livelihood without streaming residuals; YouTube Music says it pays the same royalty rate as Spotify — at least on its subscription streams; Metallica makes box office history with ‘S&M²’; Jim James and the Louisville Orchestra appear on “The Tonight Show”; Appeals court says the Trump administration can’t force states to repeal net neutrality; Musicians, tired of paltry streaming payments, protest the HBO Max Launch at Warner Bros. Studios
Here, Rao shares her thoughts about the role orchestras can play in building bridges across geopolitical divides.
With the support of our valued donors, the League continues to have a positive impact on the future of orchestras in America by helping to develop the next generation of leaders, generating and disseminating critical knowledge and information, and advocating for the unique role of the orchestral experience in American life before an ever-widening group of stakeholders.
The following paid listings have been supplied to Symphony by League of American Orchestras business partners who represent pops attractions and conductors in the areas of pops performance. What follows does not imply endorsement by the League of American Orchestras or Symphony. It is not intended to be fully comprehensive, but to be a reference point for orchestras charged with pops programming.
Chamber music series by orchestras give musicians additional creative outlets, provide audiences with fresh musical encounters in often unexpected settings, and balance the tried and true with the new and unusual. It’s Haydn and Schubert and Beethoven—and a whole lot more.
New cultural and economic directions are redefining and expanding the role of the conservatory in the 21st century. Here, leaders from conservatories reflect on the issues of most importance today—and tomorrow—as music schools navigate a shifting landscape.
Films-with-music, crooners and divas, rappers, winners of TV singing competitions, indie bands, nostalgia acts, tribute groups, Motown acts, millennial nights—what makes pops pops today? Pops conductors at orchestras offer insights, perspectives, trend-spotting, and more.
When it opened in 1869, the Transcontinental Railroad linked the United States as never before. To mark the 150th anniversary of the massive infrastructure project, thirteen orchestras along the route have joined forces to commission Zhou Tian’s Transcend, which evokes the railroad’s construction, the natural landscape, the plight of migrant railroad builders, and the opening of the West. Orchestras are not only performing the score, they are examining their own communities’ histories and connections.
Beethoven is both foundational for orchestras and the great orchestral game changer—an iconoclast who became an icon. He’s been studied, documented, put on the silver screen, fictionalized, turned into a trope and a meme. His 250th birthday in 2020 will unleash a torrent of Beethoven mania at orchestras across the U.S. But does Beethoven—despite his place in the Pantheon—remain “universal” in the 21st century?