In 2005, the Georgetown Symphony Orchestra’s Music Director Victoria Gau powerfully demonstrated her community orchestra’s devotion to creating inclusive space both onstage and in the community. At the same time, the orchestra was renamed Capital City Symphony to reflect its citywide mission to serve neighborhoods with less access to the performing arts.
“It sounds like a cliche,” Bobby Scharmann admits, “but it’s true. We’re all a family. I have my orchestra mother, my orchestra sister.”
In This Issue: Action: NEA Advocacy Continues Amid Government Shutdown; Visa Updates: Shutdown Impact Plus Major Processing Changes; Know Your Bow: CITES Policy Decisions Ahead; Ticket Fraud Policies Under FTC Review
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In 1970, the League of American Orchestras began to track member orchestras’ programming through its Orchestra Repertoire Report (ORR), in order to answer queries from grantmakers, journalists, musicologists, historians, and member orchestras.
In 1970, the League of American Orchestras began to track member orchestras’ programming through its Orchestra Repertoire Report (ORR), in order to answer queries from grantmakers, journalists, musicologists, historians, and member orchestras.
In 1970, the League of American Orchestras began to track member orchestras’ programming through its Orchestra Repertoire Report (ORR), in order to answer queries from grantmakers, journalists, musicologists, historians, and member orchestras.
In 1970, the League of American Orchestras began to track member orchestras’ programming through its Orchestra Repertoire Report (ORR), in order to answer queries from grantmakers, journalists, musicologists, historians, and member orchestras.
In 1970, the League of American Orchestras began to track member orchestras’ programming through its Orchestra Repertoire Report (ORR), in order to answer queries from grantmakers, journalists, musicologists, historians, and member orchestras.