The following paid listings have been supplied to Symphony by League of American Orchestras business partners who represent pops attractions and conductors in the areas of pops performance. What follows does not imply endorsement by the League of American Orchestras or Symphony. It is not intended to be fully comprehensive, but to be a reference point for orchestras charged with pops programming.
Chamber music series by orchestras give musicians additional creative outlets, provide audiences with fresh musical encounters in often unexpected settings, and balance the tried and true with the new and unusual. It’s Haydn and Schubert and Beethoven—and a whole lot more.
New cultural and economic directions are redefining and expanding the role of the conservatory in the 21st century. Here, leaders from conservatories reflect on the issues of most importance today—and tomorrow—as music schools navigate a shifting landscape.
Films-with-music, crooners and divas, rappers, winners of TV singing competitions, indie bands, nostalgia acts, tribute groups, Motown acts, millennial nights—what makes pops pops today? Pops conductors at orchestras offer insights, perspectives, trend-spotting, and more.
When it opened in 1869, the Transcontinental Railroad linked the United States as never before. To mark the 150th anniversary of the massive infrastructure project, thirteen orchestras along the route have joined forces to commission Zhou Tian’s Transcend, which evokes the railroad’s construction, the natural landscape, the plight of migrant railroad builders, and the opening of the West. Orchestras are not only performing the score, they are examining their own communities’ histories and connections.
Beethoven is both foundational for orchestras and the great orchestral game changer—an iconoclast who became an icon. He’s been studied, documented, put on the silver screen, fictionalized, turned into a trope and a meme. His 250th birthday in 2020 will unleash a torrent of Beethoven mania at orchestras across the U.S. But does Beethoven—despite his place in the Pantheon—remain “universal” in the 21st century?
The League of American Orchestras’ 2019 National Conference put music, musicians, and composers center stage—while exploring the ideas and issues that are most relevant to orchestras in today’s changing world. Here’s a look at just four of the highlights from the League’s 74th annual Conference.
Large gifts from donors can transform an orchestra, affecting everything and anything from launching a concert series to rethinking its mission and mandate. But how to get there? Trine Sorensen, a veteran corporate consultant who serves on the boards of orchestras and other nonprofit arts groups, offers an insider’s perspective on the strategies and tactics that lead to principal gifts.
Brexit—the exit of Great Britain from the European Union—will have profound effects at home and abroad, with wide-ranging repercussions on the economy and international trade whether it’s a negotiated “soft Brexit” or a no-deal “hard Brexit.” What are the implications of Brexit for classical music? The bottom line from my perspective: Brexit is bad news for British orchestras.
News, moves, and events in the orchestra industry.