Women Composers Readings and Commissions Program
Previous Commission Recipients
The League of American Orchestras’ Women Composers Readings and Commissions program is administered with the American Composers Orchestra and EarShot and supported by the Virginia B. Toulmin Foundation.
Over the first three years, the program's results have been impressive. Through the Women Composers Readings and Commission program, twenty women composers benefited from career development via EarShot Readings and seven composers have now received commissions, with two (premieres by Julia Adolphe and Melody Eötvös) completed.
2014 commission recipient Julia Adolphe’s Unearth, Release (Concerto for Viola and Orchestra) received its New York premiere November 17-19, 2016 by the New York Philharmonic, conductor Jaap van Zweden, and Principal Viola Cynthia Phelps as soloist. Melody Eötvös’s Red Dirt | Silver Rain was premiered at Carnegie Hall in 2015 by American Composers Orchestra as part of the orchestra’s SONiC: Sounds of a New Century, a festival devoted to new music written in the 21st century by composers age 40 and under.
The recipients of the 2015 Women Composers Readings and Commissions were composers Andreia Pinto-Correia and Xi Wang, who were both awarded $15,000 and an orchestral commission. Andreia Pinto-Correia is working on her commission to be premiered by the Columbus Symphony Orchestra and Xi Wang is working on a piece for the Berkeley Symphony Orchestra; both works will premiere in a future season.
Read about 2016 Commission Recipients here.
Read past program press releases:
- League of American Orchestras and EarShot Announce Commissions in Program Supporting Women Composers
- League of American Orchestras Initiative Supporting Women Composers Renewed For 2015, Made Possible by the Virginia B. Toulmin Foundation
- League of American Orchestras, American Composers Orchestra, and EarShot Announce Commissions in Program Supporting Women Composers
- League of American Orchestras Launches New Initiative to Support Women Composers
2015 Commission Recipients
Photo: Tiago Miranda-Expresso
The prestigious literary magazine Jornal de Letras describes Andreia Pinto-Correia’s compositions as “a major contribution to the dissemination of Portugal’s culture and language, perhaps a contribution larger than could ever be imagined.” Her music — described by the Boston Globe as “compellingly meditative” and by the New York Times as an “aural fabric” — is characterized by close attention to harmonic detail and timbral color. Following a family tradition of scholars and writers, her work often reflects the influence of literary sources from the Iberian Peninsula and beyond.
Ms. Pinto-Correia is a 2015 John Simon Guggenheim Memorial Foundation Fellow. Honors include commissions from the European Union Presidency, Fromm Music Foundation at Harvard University, Boston Symphony Orchestra Brass Quintet, American Composers Orchestra at Carnegie Hall, Tanglewood Music Center, National Symphony and National Dance Company of Portugal, Albany Symphony Orchestra, and Culturgest National Bank of Portugal. Her work Timaeus, a concerto for orchestra commissioned by the Boston Symphony’s Tanglewood Music Center in memory of Elliott Carter, was recently premiered at the opening concert of the Contemporary Music Festival’s 75th anniversary.
Her works have been performed by the Minnesota Symphony Orchestra, Berkeley Symphony Orchestra, Calouste Gulbenkian Foundation Orchestra, Orquestra Metropolitana de Lisboa, and the Borromeo and the Mivos String Quartets. She has also been the recipient of a New Music USA Music Alive/League of American Orchestras Composer Residency, a Rockefeller Foundation Center Fellowship, a Civitella Ranieri Foundation Fellowship, the Alpert Award in the Arts/Ucross Residency Prize, and the Toru Takemitsu Composition Award by the Japan Society. In addition, she was the curator of the Fertile Crescent Festival for Contemporary Music at the Institute for Advanced Study in Princeton.
Born in Portugal, Ms. Pinto-Correia began her musical studies in her native Lisbon and received her Masters and Doctoral of Music degrees with Academic Honors from the New England Conservatory of Music as a student of Bob Brookmeyer and Michael Gandolfi. She attended the Minnesota Composer Institute, the European Network of Opera Academies (ENOA), the American Opera Projects (AOP), the Composers Conference, and the Tanglewood and Aspen Festivals. She was a participant in the first EarShot New Music Reading with the Memphis Symphony in 2009.
For more information about Andreia Pinto-Correia, visit her website.
Photo: Eason Kong
Since arriving in the USA from her native China in 2001, Xi Wang has pursued a whirlwind of musical activities that have made her a rising star in new music. Her unique fusion of Asian and Western instruments and techniques with theatrical and choreographic elements has captivated audiences. She is increasingly in demand for orchestral, chamber, and vocal music.
Xi Wang’s original concert music has been performed worldwide by notable orchestras and ensembles such as the Minnesota Orchestra, Atlanta Symphony, American Composers Orchestra, Shanghai Philharmonic, Spokane Symphony, Voices of Change, Soli Chamber Ensemble, Tippet String Quartet, among others. She is the recipient of the Charles Ives Fellowship from the American Academy of Arts and Letters, the National Endowment for the Arts award, Meet the Composer, New Music USA, American Music Center, MacDowell Colony residency, as well as prizes from the American Society of Composers, Authors and Publishers (ASCAP).
Xi Wang received her B.M. from the Shanghai Conservatory of Music, M.M. from the University of Missouri-Kansas City, and D.M.A. from Cornell University. Currently, she is an Associate Professor at the Meadow School of Arts of Southern Methodist University. She was a participant in ACO's 2010 Underwood New Music Readings.
For more information on Xi Wang, visit her website.
2014 Commission Recipients
Photo: Martin Chalifour
Twenty-seven year old composer Julia Adolphe’s music has already been described as “alive with invention” (Alex Ross, The New Yorker), “colorful, mercurial, deftly orchestrated” (Anthony Tommasini, The New York Times) and a “mastery of dynamic as well as harmonic complexity” (Financial Times). Adolphe’s works have received performances across the U.S. and abroad by renowned groups such as the New York Philharmonic, Inscape Chamber Orchestra, the USC Thornton Symphony, JACK Quartet violinist Christopher Otto and cellist Kevin McFarland, Grammy-nominated pianist Aron Kallay, the What’s Next? Ensemble, Nouveau Classical Project, the Cornell University Chorus, and the Great Noise Ensemble, among others. In 2015, Adolphe received a Charles Ives Scholarship from the American Academy of Arts and Letters. Adolphe is a native New Yorker living in Los Angeles.
Current commissions include a viola concerto for the New York Philharmonic and a large choral work for James Conlon and the Cincinnati May Festival. The viola concerto, for Philharmonic Principal Viola Cynthia Phelps, is commissioned by the New York Philharmonic and the League of American Orchestras, with generous support from the Virginia B. Toulmin Foundation. This commission follows on the heels of the New York Philharmonic premiering Adolphe’s orchestral work Dark Sand, Sifting Light as part of the NY PHIL BIENNIAL in June 2014. A winner of the international EarShot New Music Readings’ competition, Adolphe’s first orchestral work was hailed as “remarkably assured…an upbeat to something grander” (The New Yorker). Additionally, Adolphe is composing an opera set in present-day Iran with librettist Nahal Navidar.
Adolphe currently pursues a Doctor of Musical Arts degree from the USC Thornton School of Music. Prior teachers include Stephen Hartke, Steven Stucky, and Donald Crockett. Adolphe holds a Master of Music degree in music composition from USC and a Bachelor of Arts degree in Music and the College Scholar Program from Cornell University.
For more information about Julia Adolphe, visit her website.
Julia Adolphe’s Unearth, Release (Concerto for Viola and Orchestra) received its New York premiere November 17-19, 2016 by the New York Philharmonic, conductor Jaap van Zweden, and Principal Viola Cynthia Phelps as soloist.
Photo: Grant Heger
Melody Eötvös (1984) is a Bloomington IN-based Australian composer whose work draws on both multi-media and traditional instrumental contexts.
She has studied with a variety of composers across the globe, including Gerardo Dirié (Australia), Simon Bainbridge (UK), and, most recently Claude Baker & David Dzubay (USA). She has also studied electronic music with Jeffrey Hass, John Gibson, and Alicyn Warren. Melody has had her music performed by ensembles/orchestras such as the London Sinfonietta, BBC Singers, Tasmanian Symphony Orchestra, and the Australian String Quartet, and has participated in several electronic music festivals including SEAMUS 2011 (US), ACMC 2012 (Australia), and ICMC 2011 (New Zealand). Current projects include a Virginia B. Toulmin Foundation Orchestral Commission administered by the League of American Orchestras, the EarShot Foundation (world premiere: Carnegie Hall October 23rd 2015), guest composer for the Bendigo International Festival of Exploratory Music 2015, a commissioned composer for the Synergy 40x40 project (Sydney, AUS), was a composer fellow at the Aspen Music Festival & School 2015, and will be a Composer resident for the Copland House Residency in May 2016.
Melody holds a Doctor of Music (2014) from Indiana University Jacobs School of Music USA, and a Master of Music (2008) from the Royal Academy of Music, London UK.
For more information about Melody Eötvös, visit her website.
Melody Eötvös’ Red Dirt | Silver Rain received its world premiere at Carnegie Hall in October 2015, performed by American Composers Orchestra and ACO Music Director and Conductor George Manahan.